A new line of Eclipse Extra Long Combers available in 6 popular sizes. Ideal for the oil artist who likes a sharp edge and to build layers. These brushes taper to a fine line turned sideways. For those who loved the 'old' style mongoose long flats, you will love these. "Eclipse X-Long Comber brush is sturdy enough to push and apply paint to a specific area, and is soft enough, similar to th...More info.

The Eclipse Long Flats are a new addition to this range, by popular demand. They have a lovely snap, yet are still delicate enough for alla prima, wet on wet techniques. They do not pull the paint off allowing layer upon layer in oils and acrylics. *Long Handle Only* ...More info.

It seems a long time ago I created the 'Ivory' range of brushes, Artists wanted an oil brush that retained it's shape, had just enough spring and were easy to clean..... oh and they had to last !  Fast forward to now and I thought we had made every shape and size needed BUT there's always one... and his name is Quang Ho. He wanted a brush to achieve fine shapes in his work. 'I think these ...More info.

This new range of Rosemary & Co Impasto brushes will allow for the technique of laying on paint or pigment thickly so it will stand out from the surface. The Ivory synthetics are easy to clean, durable, hard wearing and will allow for thick paint application. They are made on the beaver tail handle, which is easy to hold and control.   "My work is a play between realism and abs...More info.

Michael Klein is part of a group of American artists leading the revival of representational painting hearkrning back to the Renaissance and French Academic traditions. '"Everyone has learned after testing Rosemary and Co's brushes that they are simply the best handmade brushes on the market.'' Please visit Michael's website by clicking here. ...More info.

A synthetic badger glazing brush ideal for glazing and/or varnishing.   A full bodied brush enabling you to load with a lot of medium, when worked edge on this brush will 'dab' or 'stipple'. The feeling of the brush is in between the stiffness of hog and the softness of sable. It has a good spring, is hard wearing and easy to clean.   Please note beaver tail handle...More info.

By popular demand the beauty of this shape allows a fine line (without the tremble sometimes associated with a rigger) and amazing effects when twisted side to side. ...More info.

A new addition to our blended range. A useful brush, the dagger is very adaptable and can be used to create long flowing lines. When pressure is applied and the brush 'twisted' through the stroke you can see oriental grass appear as well as petals. Great too in oils when a sharp edge is required and/or fine lines for example, hair in portraiture. The smaller 1/4" size is also available as a poc...More info.

Large 4” flat wash brush – ideal for varnishing, glazing, background work. Can be used with any medium – if Oil or Acrylic then thin down a little.Great for large water colour ‘wash’ applications. This brush allows you to cover larger areas quickly. Has the snap and spring of high quality taklon ( nylon ) and comes to a chisel sharp edge so can paint line work also.   9” flat long ...More info.

A long sought solution to those unintended watercolor brush marks resulting from too much enthusiasm, haste or miscalculation. Instructions for use: 1.  Use the brush when barely damp, not wet. 2.  Hold in a nearly vertical orientation and drag gently, but firmly back and forth along its' long edge. (see photo) 3.  Upon first noting the removal of paint, immediately dab...More info.

Our Ultimate' range of interlocked bristle brushes offer the artist a traditional brush but with double the interlock. We take two equal amounts of best quality Chinese bristle and set them opposite each other so that the natural curve is facing inwards. The bristle is selected in length and size to enable perfect balance. Although labor intensive this gives the artist a hard wearing brush...More info.

Our Ultimate' range of interlocked bristle brushes offer the artist a traditional brush but with double the interlock. We take two equal amounts of best quality Chinese bristle and set them opposite each other so that the natural curve is facing inwards. The bristle is selected in length and size to enable perfect balance. Although labor intensive this gives the artist a hard wearing brush...More info.

Our Ultimate' range of interlocked bristle brushes offer the artist a traditional brush but with double the interlock. We take two equal amounts of best quality Chinese bristle and set them opposite each other so that the natural curve is facing inwards. The bristle is selected in length and size to enable perfect balance. Although labor intensive this gives the artist a hard wearing brush...More info.

Our Ultimate' range of interlocked bristle brushes offer the artist a traditional brush but with double the interlock. We take two equal amounts of best quality Chinese bristle and set them opposite each other so that the natural curve is facing inwards. The bristle is selected in length and size to enable perfect balance. Although labor intensive this gives the artist a hard wearing brush...More info.

"In the age of big brush strokes and texture on smooth linen surfaces, this bristle brush excels at what is known as the “dab and smear” technique on medium texture linen such as Friedick’s Oil Primed Linen Panels. When too much paint has been distributed on the surface and then a fan brush has been used over the painted area, the fan brush can smear all the work and lower the intensity of...More info.

"A painting is a pictorial representation of an artists intelligence and sensitivity. To portray these qualities one needs a brush that’s responsive to every nuanced emotion. Caressing the paint with a handmade Rosemary brush is a privilege every artist should enjoy." - David Leffel  June 2011 Thank you to David Leffel who suggested this addition to our range and who honorably car...More info.

A new addition to our Ivory range design by David Shevlino from the USA. In Shevlino's current work, the canvas has increasingly become a place to experiment with different techniques of paint application. He is particularly interested in exploring the line between the traditional representation of the figure and the abstraction of it, and his paintings reflect his simultaneous use of both ...More info.

By popular request we have added an Angular  to our best selling oil "fibre", Ivory. For those who paint big! Fashioned on a black lacquered, Beaver Tail handle. Painting by: Jamel Akib Painted entirely with 2" Ivory Angular, this painting won the Charles Pear prize at the Royal Marine society show in London 2015.     Please note beaver tail handle length...More info.

Originally designed for oil and acrylic artists yet works really well with watercolour.  A blend of somewhat 'firmer' Nylon filaments giving the strength of the bristle yet offering a delicate feel through the brush stroke.  As a result this range offers brilliant 'snap and spring' a good holding reservoir for colour and controlled flow through to the tip, with paramount resilience an...More info.

The Ivory is synthetic bristle at its best, a cross between the feel of nylon and hog bristle. The dagger shape is for when a tighter mark is required, very controllable. ...More info.